i've been so jazzed about all this stuff. it's been building and building for the last few years and now things are so happening right now, let's take a look at a few points that make me leap out of bed with excitement about how killer this whole deal is.
i'm very interested in this kind of technology that is outdated, yet still viable. an example is in general aviation they have these radio transmitters called VORs, that are all over the county that you can tune into while flying around. you can find your way all across the country with these things and most folks have no idea they even exist. next time you go by a small airfield look for one, they look like a giant bowling pin. it's like forties and fifties era radio technology. it's kind of a funky way of doing it, but it works and has worked for years.
i hear so much complaining about this subject, i just wanted to lay my practical experience on you. free.
first, three pre-conditions:
this media feller asked me to talk about five songs i've been listening to. here you go:
every now and then, i play on the street. it's pretty fun thing to do.
here's a whole 'nother way of looking at things.
Overture to the Schillinger System
Henry Cowell (~1941)
The Schillinger System makes a positive approach to the theory of musical composition by offering possibilities for choice and development by the student, instead of the rules hedged round with prohibitions, limitations and exceptions, which have characterized conventional studies.
hey here's a bit of inspiration for you and something to think about all at the same time. an oft mentioned essay from 1958, and one of the primary influences on the folktronic approach.
"Who Cares if You Listen?"
Milton Babbitt, High Fidelity (Feb. 1958)