barnes blog

from whence yon solo tour.

in the last few weeks i did this run up a section of the north east[dc-boston] then flew back west for three shows in the northwest. lots of ground covered on that. a bit of the old I 95 shuffle.  

how i got interested in the Masters of music

when i was a kid back in the 60’s, my old man would play records on a record player that looked like a piece of furniture. you had to sit and look at it like you were watching tv. i got the idea from him, and my other family members, that there were these real Masters of music that we were hearing. and they deserved appreciation and study and repeated listening. my sense of them at that young age were that they were larger than life figures almost like bible characters come to life.

the beautiful perfect minimalism of del and dawg.

this is likely going to sound like i’m telling you yesterday’s weather, but my feeling is that there is likely too much generated useless data in the physical/external realm. this idea came to me as i was walking in an airport and passed one of those news shows they mysteriously beam at you every 8 feet on a flat screen hi-def. there’s a robotic person talking, a crawl of oblique non-sequitur on the bottom going by, and a graphic pie chart PLUS a corporate logo.

mp3 vs. wave, 2 out of three falls ten round limit

there's been quite a lot written about the superiority of wave files vs. mp3. there exists a certain collective wisdom bandied about in regard to how great waves are and how terrible mp3s are. here are some things to consider about this comparison.

10.12.11

it's really cool the way you can find these demo versions of some classic old albums. like if you hear marc bolan's acoustic versions of electric warrior. it's interesting to me the concept of negative space in music. my point is that ofttimes you can sort of hear the orchestration in a solo performers head as they play. and that part of the music is shared within your imagination and theirs, at the precise moment. that's pretty magical. through the years i've studied lots of solo performers, and the best ones, seems like to me, you can sort of hear a whole orchestra playing behind them.

how to play in someone else's band

{gain twenty years of road experience with a five minute read}

here are some free suggestions for engaging in this type of behavior successfully. i have spent a fair amount of years working and logging miles as a sideman, and likely will do so again at various points. i wanted to give you some ways to perhaps operate more smoothly within this role. what follows are some hard earned/learned lessons for your consideration.

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